CLIENTS & WORK EXPERIENCE
Clients: British Council, PACE Gallery, Maddox Gallery, MACBA, Canada New York, Blaffer Art Museum, Taft Blacklands Museum, Lazy Q Ranch, Bullock Texas State History Museum, Bryan Museum, Hiram Butler Gallery, Houston Astros, Chevron, Frost Bank, Texas Southern University, National Museum of the Pacific War, Grambling State University, Texas A&M University, Federal Reserve Bank of Dallas, U.S. National Park Service, and many Private Collectors
Director, TM Art Conservation (2018 - present)
Conservator, TATE, London, UK (2008 - 2018)
Guest Lecturer, ROYAL ACADEMY OF ART, London, UK (2010 - 2018)
Guest Lecturer, CAMBERWELL COLLEGE OF ART, Camberwell, London (2010 - 2018)
Archaeological Conservator,DANA GOODBURN-BROWN CONSERVATION,Kent (2008)
Objects Conservator, ERETZ ISRAEL MUSEUM, Tel Aviv, Israel (2007 - 2008)
Conservation Officer, HORNIMAN MUSUEM, London, England (2007)
Conservator, EL MIRADOR,Peten, Guatemala (2006)
Texas Southern University
Traditional African Art Gallery
A major project to move a collection of 75 objects to a new gallery space on campus. Project Management included the assessment of all objects, conservation treatment for display, pest eradication, transport, curation and installation in the new library. Project completed November 2019
NanoRestArt
http://www.nanorestart.eu
https://www.tate.org.uk/about-us/projects/nanorestart
Publications & Presentations
Tamar Maor, Angelica Bartoletti and Bronwyn Ormsby, ‘Insights into Eva Hesse’s Working Practice: A Technical Study of Addendum 1967’, Tate Papers, no.33, 2020, https://www.tate.org.uk/research/publications/tate-papers/33/eva-hesse-working-practice-technical-study-addendum, accessed 11 June 2021.
Bartoletti, A., Maor, T., Chelazzi, D. et al. Facilitating the conservation treatment of Eva Hesse’s Addendum through practice-based research, including a comparative evaluation of novel cleaning systems. Herit Sci 8, 35 (2020). https://doi.org/10.1186/s40494-020-00378-z
NANORESTART Project at Tate: Conserving Eva Hesse Addendum - NANOSISTEMAS. Aplicación en la eliminación de cintas adhesivas en soporte celulósico workshop - Museo Nacional Centro de Arte Reina Sofía - Madrid, 8 June 2018
Eva Hesse Addendum: Exploring Materiality and Emerging Technologies: Objects Session, AIC 46thAnnual Conference, May-June 2018, Houston, TX
NANORESTART Project at Tate, Gels in Conservation Conference, October 16-18, 2017, London, UK
NANORESTART Blogs on TATE Research pages, 2017-2018 https://www.tate.org.uk/about-us/projects/nanorestart
The Artist’s Role at the Point of Installation, Meaning of Materials in Modern & Contemporary Art 2012 AICCM Paintings Group + 20th Century in Paint Symposium, Brisbane, Australia
Developing Substitutes for Anish Kapoor Pigment Works; A collaboration with the artist and Tate Conservation. ICON News, Issue 42, September 2012.
Corroding the Uncorroded: Conserving Mark Dion’s Tate Thames Dig: poster session, Contemporary Art: Who Cares? Conference June 2010, Amsterdam, ND
Packing Chain Mail Armour: A Simple Solution for Gaining Space and Maximizing Support. ICON News, Vol. 5 July/August 2006.
Collecting, Caring, and Curating Archaeological Leather, Early Textile Study Group 10thBiennial Conference 2004, Manchester, UK